3/31/2023 0 Comments Ragged hills dolmenYeats tried to make it then, an authors' theatre, even Yeats's very own theatre. But now it is most often understood to be, as W. Horniman, a middle-aged, middle-class dissenting London spinster. In a legal sense, there can be no question that during its formative years, from 1904 to 1911, the Abbey Theatre belonged to no Irishman at all it was the property of Annie E. To whom did the Abbey Theatre belong? At various times, many of the Irish people involved in its life thought they had a right to call the Abbey "our Irish theatre": those who started the Irish National Dramatic Society, those who acted in it, those who wrote plays for it, those with a need or use for it, with a wish to make Ireland free, Gaelic, socialist, or feudal. London: Oxford University Press, 1966–68. 3 and 4, Plays, edited by Ann Saddlemyer. Yeats and the London Theatre Societies, 1901–1904." Review of English Studies 116 (November 1978): 415–46. Gerrards Cross, Bucks.: Colin Smythe University Park, Pa.: Pennsylvania State University Press, 1982. Theatre Business: The Correspondence of the First Abbey Theatre Directors: William Butler Yeats, Lady Gregory, and J. Carbondale: Southern Illinois University Press London: Feffer & Simmons, 1967.Īnn Saddlemyer, ed. Joseph Holloway's Abbey Theatre: A Selection from His Unpublished Journal "Impressions of a Dublin Play-Goer." Edited by Robert Hogan and Michael J. 3, The Abbey Theatre, the Years of Synge 1905–1909, edited by Robert Hogan and James Kilroy. 2, Laying the Foundations 1902–1904, edited by Robert Hogan and James Kilroy. 1, The Irish Literary Theatre 1899–1901, edited by Robert Hogan and James Kilroy. Dublin: Dolmen Press Atlantic Highlands, N.J.: 1975–78. Modern Irish Drama: A Documentary History. New York: Columbia University Press, 1976. New York: Columbia University Press, 1977. Richard Finneran, George Mills Harper, and William M.
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